another possible career option?

BACK WHEN I WAS AN UP-AND-COMING WRITER IN HOLLYWOOD I HAD A BIGSHOT literary agent lay into me for wanting to pursue a career in screenwriting and
sitcoms. "Pick one and focus," Elliott advised me. "You don't wanna
spread yourself too thin. You wanna work hard and make a name for
yourself in one area. Find your niche."
Twenty years later I'm utterly convinced I've still got at least a few solid screenplays in me. And writing for a show like Six Feet Under or Entourage
would be great and not beyond my abilities. I still think that those
career paths have the potential to flourish at some point during my
lifetime.
But what's different today is that these things are no longer the be-all/end-all
for me. Because as I get older, I'm consistently stumbling onto new things
that intrigue and excite me—writing songs, telling stories, publishing books, making
videos, photography, painting, graphic design. Even farming, for crying out loud!
It sometimes seems a little ridiculous how many things I'm interested
in. Various people in my past have made negative comments about my
rampant curiosity and hunger for creative outlets. For some, these were
just pretty words for "unfocused" and "undisciplined." But my
girlfriend, God bless her, she is a continuing source of radiant
energy, with wise, positive spins on just about every situation.
Especially the ones where I'm used to hearing resistance.
Like 2 days ago. When I told her that, as of today, I'm gonna seriously
think about going around to different schools talking to language arts
classes about writing and poetry, equipped with my stories, my kids'
books, my guitar and my goofy songs.
"Noah's teacher said her school hired some guy to talk to her classes and they paid him $1200 bucks for the day!," I excitedly told Tamale on Friday. "She told me I should seriously look into doing it. How fun would that be?"
I wouldn't have blamed Tamale for scoffing upon hearing of yet another
one of my ideas for creatively making a buck. The potential, as more than one person has reminded me, is to end
up with a string of half-completed projects.
Instead, sweet, wise Tamale reminded me that all these various projects don't have to be viewed as a threat to one another. "They're all connected," she reminded
me. "Don't look at them as being separate or like one thing is taking
you from another. They're all part of the big picture. You're exactly
where you need to be. And you'll do what's supposed to get done when
it's supposed to get done."
At least, that's what I think she said. Or something very similar.
The bottom line is, she confirmed my suspicions about this new side
business. Could be very cool. And it doesn't have to keep me from
doing the other things I want to do.
Another possible creative option practically falling in my lap. How sweet it is!
.
..
...
I knew I might be on to something Friday afternoon out on the schoolyard at lunch. I had just
finished my 2nd and final "presentation" of the day to Ms. Skoom's pair
of 5th grade writing classes, which I think went pretty well. Well
enough for my host to suggest I think about making a living doing this
sort of thing, a potentially lucrative and highly gratifying idea that
suddenly had my wheels spinning.
After that little jolt of encouragement, I went outside, guitar case in
hand, to say goodbye to my 11-year-old nephew. But before I had a
chance to spot Noah on the soccer field, I was intercepted by a group of 5th grade girls who'd sat through my "writer guy" schtick. After we
talked for a bit, the girls were eager to share their writing class-mandated nicknames
with me.
At the start of 5th grade each kid adopts an adjective nickname for the
entire year that fits their personality. So while I waited to get
Noah's attention before heading home, I hung out with "Philanthropy" (the
chatty teacher's daughter), "Chic" (the girl in Ugg boots) and
"Whimsical" (the shy Hispanic girl).
What a brilliant way for kids to
expand their vocabularies.
Anyway, minutes later Noah—a.k.a. "Commotive"—had quit his regular lunchtime soccer game and was hounding me into pulling out my guitar.
"C'mon," he pleaded. "I really wanna
play the harmonica."
I love this kid's enthusiasm. He doesn't even play
harmonica. But he's eager to dive into a little improv jam session,
while his buddy P.J. jumps in with my purple percussion egg. (P.J. is a
robust, good-natured Pechenga
Indian kid with a braided ponytail halfway down his back who introduces
himself as "Noah's bodyguard." As if every 5th grade student council
president needs a bodyguard.)
When Noah begs for a schoolyard jam session, a few of the kids who sat
through "The Onion Song" less than an hour earlier begin clamoring for
one more performance. I had already played the song to both classes,
screwing up the lyrics and missing a chord change or 2 for each class. Still, the kids seemed to like it. A few even asked if the song
was on iTunes and said they'd buy it if it was.
So that was the mojo we were working when Noah convinced me to bust out
my trusty borrowed Ibanez (thanks Eddie) and break into a rousing
version of "No Onions, Please"—complete with enthusiastic harmonica
work and a steady percussion egg beat from a pair of music novices from Ms. Skoom's 5th grade writing class.
When we started the song there were probably a half dozen kids around us.
But by the end of the first stanza—which we rocked pretty hard, I must say—I
looked out through my sunglasses and saw kids swarming towards us from
every direction, dozens of children literally running to listen to our impromptou
performance. It was truly one of the strangest sights I'd ever
witnessed in my life. (The first image that came to mind was of a fallen piece of pie at a
picnic being converged upon by an army of ants. But I didn't like
that metaphor. It was more somewhere between the Pied
Piper, JC happening upon a flock of devotees and George Harrison
walking through Golden Gate Park during the Summer of Love.)
Granted, my moment in the sun was of a much smaller magnitude than what those 3 fine men experienced. Still, I couldn't help but laugh at my
micro-taste of what it feels like to incite a gathering crowd.
But as it so often happens in my life—to an almost absurd degree—my flow got interrupted. (Which I've gotten much better at accepting over the years.) This
time it was the lunch bell. I would've powered through to the end, but
I didn't want to be the inappropriate rock 'n roller and keep the kids
from getting back to their classes. Especially with the eyes of the
principal staring down from the small hill just behind me.
So I cut short my performance and left the crowd wanting more. Let 'em buy the song off iTunes.
Then I walked home, guitar in hand, dreaming of the day when Mr. Bob
was pulling in $1300 bucks a day for teaching kids about writing and
poetry and living with gusto.
.
..
...
Friday was the 3rd day I'd ever been invited to speak to a class about writing. The last
time occured when today's photo was taken.
Back in the fall of 2003 I spent a week at the home of my friend GC's Aunt Lisa in
Virginia, who I'd never met before I showed up at her little-used side door one Monday night. Lisa's son, Cutter, was studying screenwriting, Thoreau and non-conformity
at HB-Woodlawn, his progressive high school in Arlington. (In Newsweek's
2006 ranking of the top 1,300 high schools in America, "HB" ranked
#13—down from #5 the previous year.) After hearing my story, Cutter
went to school and asked his language arts teacher if I could come and
speak to the class about my personal relationship with writing and nonconformity,
seeing as how I was in the midst of wandering around the country in my
VW bus for a yet-to-be-determined length of time.
In one of those delicious coincidences that seem to crop up in my life
with great regularity, I came home Friday—after my first invitation to
address a language arts class since the Thoreau-inspired trip to
HB-Woodlawn more than 4 years ago—only to find Thoreau reappearing in
my world later that night. Remember that gift I got for Christmas, Wisdom of the Ages: 60 Days to Englightenment, the excellent Wayne Dyer book that uses a passage or poem from a different author
every day to illustrate a different concept that will lead the reader to blissful
enlightenment? (Or not.)
Well, after my inspiring day in Noah's class, I got to thinking about my gratifying
experience at that Virginia high school—which is why I couldn't help
but smile when I opened up my Wayne Dyer book and saw the theme for the day.
"Nonconformity."
Once again, it all comes full circle. Cue the Louis Armstrong:
"What a wonderful worrrrrrrrld..."
I leave you now with a little Thoreau, a personal hero of mine. This is
the passage that introduced Friday's chapter on nonconformity:
"If a man does not keep pace with his companions, perhaps it is
because he hears a different drummer. Let him step to the music he
hears, however measured and far away."
Indeed, indeed.